Set in postwar Britain, The Dwarfs describes the intertwined lives and concerns of four young Londoners: Len, working at the Euston train station but fascinated by abstract mathematics; Mark, a sometime actor; and Virginia and Pete, a young couple trying to define their relationship amid the powerful, sometimes destructive forces at work among the four.
In the evolution of this quadrilateral friendship and the strains it creates, Harold Pinter explores how ordinary lives are molded by the limitations and boundaries of sexuality, intimacy, and mortality. It is a world populated by dwarfs—young people who have departed, only to leave emptiness. Funny, vivid, and haunting, The Dwarfs is a brilliantly intriguing and chillingly perceptive novel by a writer whose imagination has shaped our lives.
Harold Pinter was born in the London borough of Hackney in 1930. During World War II, Pinter and his family escaped the Blitzkrieg by moving to Cornwall and Reading, which had a profound impact on him. In 1948 Pinter entered the Royal Academy of Dramatic Arts, but after two years he dropped out.
The Room, Pinter’s first play, was written in 1957 and was performed as a student production and the University of Bristol. Pinter’s second play, and one of his best known, The Birthday Party (1957), was initially ill-received by the critics, but with The Caretaker (1960) Pinter secured his theatrical status.
Some of Pinter’s most celebrated theatrical works include Landscape (1968), The Homecoming (1964), Betrayal (1978), and The Go-Between (1980). In 2005, the Swedish Academy awarded Pinter the Nobel Prize in Literature stating that “in his plays [he] uncovers the precipice under everyday prattle and forces entry into oppression’s closed rooms.”