Hinterkind

· Hinterkind 2. liburukia, 7-12. zk. · Vertigo
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These stories from issues #7-12 begin with Princess Tersia, who has a vision of the future and the shape of things to come. In this vision she’s married to Jon Hobb and carrying his baby. Oh, and there’s a dragon! Is it a dream or a nightmare? Meanwhile, bounty hunters Starla and Jubal find the tables are turned as they’re run to ground by a Centaur posse.
These stories from issues #7-12 begin with Princess Tersia, who has a vision of the future and the shape of things to come. In this vision she’s married to Jon Hobb and carrying his baby. Oh, and there’s a dragon! Is it a dream or a nightmare? Meanwhile, bounty hunters Starla and Jubal find the t...

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2 iritzi

Egileari buruz

Edginton sees part of the key to his success coming from good relationships with artists, especially D'Israeli and Steve Yeowell as well as Steve Pugh and Mike Collins. He is best known for his steampunk/alternative history work (often with the artist D'Israeli) and is the co-creator of Scarlet Traces, a sequel to their adaptation of H.G. Wells' The War of the Worlds. With 2000 A.D. he has written Leviathan, Stickleback and, with art by Steve Yeowell, The Red Seas, as well as one-off serials such as American Gothic (2005). With D'Israeli he has created a number of new series including Stickleback, a tale of a strange villain in an alternative Victorian London, and Gothic, which he describes as "Mary Shelley's Doc Savage." With Simon Davis he recently worked on a survival horror series, Stone Island, and he has also produced a comic version of the computer game Hellgate: London with Steve Pugh. He is currently working on a dinosaurs and cowboys story called Sixgun Logic and Vertigo's Hinterkind.
Edginton sees part of the key to his success coming from good relationships with artists, especially D'Israeli and Steve Yeowell as well as Steve Pugh and Mike Collins. He is best known for his steampunk/alternative history work (often with the artist D'Israeli) and is the co-creator of Scarlet T...

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