Enoch Soames: Restored Classics to Go Edition

· Otbebookpublishing
Ebook
45
Pages
Eligible

About this ebook

In the glittering literary world of Oxford, Chelsea, and the Cafe Royal, the narrator first encounters Enoch Soames, a shabby, self-important minor writer who seems at once ludicrous and strangely compelling. Soames calls himself a "Catholic diabolist," reads Milton and Shelley with grave intensity, and publishes work such as Negations and Fungoids that baffles reviewers and readers alike. His poems are dismissed as obscure, uneven, and second-rate, yet the narrator cannot quite decide whether he is a fool, a failure, or a neglected genius. As Soames's hopes for recognition collapse, his bitterness hardens into tragic vanity. A chance meeting in a Soho restaurant brings him face to face with a sinister stranger who claims to be the devil and offers him a bargain: one hour in the British Museum reading-room a hundred years in the future, so he may discover his own literary fate. Soames accepts, vanishes into time, and returns shattered, haunted by an uncanny vision of posterity. Darkly comic, eerie, and deeply ironic, the story becomes a haunting meditation on artistic ambition, obscurity, fame, and the cruel distance between a writer's life and his afterlife. This edition has been fully restored with modern typesetting, custom cover design.
In the glittering literary world of Oxford, Chelsea, and the Cafe Royal, the narrator first encounters Enoch Soames, a shabby, self-important minor writer who seems at once ludicrous and strangely compelling. Soames calls himself a "Catholic diabolist," reads Milton and Shelley with grave intensi...

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About the author

Sir Max Beerbohm (1872–1956) was an English essayist, caricaturist, and satirist whose wit and elegance made him one of the most distinctive literary voices of the late Victorian and Edwardian eras. Born in London and educated at Charterhouse and Merton College, Oxford, he came to prominence as a brilliant young critic and humorist, quickly earning a reputation for his polished style, sly irony, and uncanny gift for observing the pretensions of literary and social life. Over the course of a long career, he wrote essays, parodies, reviews, and stories that blended comedy with keen psychological insight, and he also became celebrated for his drawings and caricatures, which captured public figures with affectionate precision and gentle mockery. His work often explores vanity, self-invention, nostalgia, artistic ambition, and the gap between public image and private truth, themes that still feel fresh in an age shaped by performance, self-fashioning, and cultural memory. Beerbohm's legacy lies in the rare combination of grace and intelligence with which he exposed human foibles without cruelty, making him a master of satire who remains readable because his humor is so precise and his observations so timeless. Readers who enjoy refined wit, literary playfulness, and sharp but humane social comedy are especially likely to be delighted by his work.

Sir Max Beerbohm (1872–1956) was an English essayist, caricaturist, and satirist whose wit and elegance made him one of the most distinctive literary voices of the late Victorian and Edwardian eras. Born in London and educated at Charterhouse and Merton College, Oxford, he came to prominence as a...

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